Okay, I’ll admit it. I gave in to relentless marketing. The weekly emails of offers from Blues Music magazine finally me when they offered a year of the magazine and Eric Gales‘ new album “The Bookends” for $20. I’m glad I jumped on it, though, because the album is great.
I saw Eric Gales for the first time on an Experience Hendrix tour a few year ago, and he was one of the highlights. It got him on my radar, but I didn’t get a good sense of what he was all about until I saw him on tour about a year ago. I had been pretty burned out on blues/rock for a while, but he restored my faith. So much raw passion and energy! It was way more than some cool guitar playing, although there’s plenty of that. It was the energy that got me. I also liked the funkier direction of his band. LaDonna Gales playing percussion on top of the typical power trio adds a lot. He dips into heavier rock than some more traditionalist blues/rock players, but also has the funk. It’s a great combination.
If you’re not familiar with Eric Gales’ story, it’s worth checking out. I bet he’d write a fascinating autobiography some day. Child prodigy, family band, fell down a dark path, but rose again and came back stronger than ever. His gratitude for making it through life alive and all the first-hand awareness of the dark sides of modern life make for good writing and powerful performances.
So, The Bookends. I’m not big on long-winded album reviews. You can listen yourself, and you don’t need me to go in depth into every track. I’ll talk about a couple of highlights and some other things that stood out.
2. Something’s Gotta Give (feat. B. Slade)
3. Whatcha Gon’ Do
4. It Just Beez That Way
5. How Do I Get You
6. Southpaw Serenade (feat. Doyle Bramhall II)
7. Reaching For A Change
8. Somebody Lied
9. With A Little Help From My Friends (feat. Beth Hart)
11. Pedal To The Metal (feat. B. Slade) (Bonus Track – Remix)
My top three tracks are bolded above, but let’s talk about all the album highlights. The album kicks off with “Intro” – a bring-down-the-house, ripping-guitar instrumental. This is the kind of thing you’d play to get the crowd hyped up live. In this case, get the listener excited about the record. It sets the tone – a bit heavier than some prior records. “Watcha Gon’ Do” brings a heavy, funky riff to a song about pure lust. It’s hard to not move your body listening to it. The lyrics to “It Just Beez That Way” are poignant and honest, with a touch of humor. The tune is funky as all get out (I dig Eric calling out “that’s funky right there” at about 2:00), and it’s a little more upbeat and positive. “Somebody Lied” is one of the heaviest songs on the album, with lyrics that caught me by surprise. It’s a song I could hear Dug Pinnick doing with KXM or PGP (the “G” stands for Gales in that particular power trio). Heavy and heartfelt. “Resolution” is another instrumental, wide in scope, and to my ears may have been born from his jamming in “Don’t Fear the Reaper” in his live shows.
Of course, throughout the album Eric’s guitar playing is stellar. He also plays bass on “Something’s Gotta Give” and drums on “Something’s Gotta Give” and “Somebody Lied.” MonoNeon plays bass on most of the tracks, with Orlando Thompson on “Southpaw Serenade.” Aaron Haggerty lays down the drums, Dylan Wiggins is on Organ & Rhodes, and Vince Jones provides additional keys on “Somebody Lied.” LaDonna Gales adds backing vocals (which are great, by the way) and additional percussion. Another benefit of physical media, getting to read the liner notes. I had no idea who MonoNeon was, nor that Eric Gales played drums. Good to learn!
The mix is superb, and everything sound fat, warm and clear.
Finally, I want to call out the album artwork, with Eric in a bookstore or library. It’s a really cool visual, and the treatment to the photography gives it a warm, almost surreal look. Kudos to physical media.
I love reading liner notes. For instance, I learned MonoNeon played bass on most tracks, including the funky interlude at 1:50 into “Watcha Gon’ Do” which is probably my favorite bit on the album:
Beth Hart delivers her incredible and powerful vocals to “With A Little Help From My Friends.” Now there’s a package tour I would jump at. The similarity between their life stories make them a great pair. It’s not just knowing what the other has gone through, it’s coming out to a similar place after all that. They’ve done one-off collaborations at various events, but I’d love to see a tour. They’d kill.