Listening To: Toto’s Hydra

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I got Steve Lukather’s excellent autobiography “The Gospel According to Luke” for Christmas this year and just finished reading. It was quite entertaining, if a bit scattered. There are lots of funny behind-the-scenes stories from his life in the studio and on the road, and lots of crazy adventures with other musicians. One of the best was when Miles Davis showed up and got freaked out by a stuffed dog. I do wish there as a little more meat on the bones in terms of music, but I get that he has such a vast career it would be hard to go in depth with much. His discography – included at the end of the book – is absolutely mind-blowing.

I had never paid much attention to Toto. I knew the hits, but they were alway a softer, more polished band than I was into in the 80s & 90s. Listening with older, wiser ears, and reading about the ups and downs of the band has given me an opportunity to revisit.

In the book he talked about Hydra being their proggy album and that definitely caught my attention so I’ve been listening to that lately.

It’s a nice combination of catchy, poppy hooks, interesting rhythmic devices and songs that go beyond traditional “I love you fare. As expected, the songs are longer and more involved.
Of course there’s killer playing all around and as a guitarist it’s cool to hear Luke kill it on every track. What I like about this album is the variety – Hydra, All Us Boys and White Sister absolutely rock. 99 and Mama are a little softer. Hydra and St. George certainly dip into prog territory. It’s tonally diverse and the production is top notch. I’m really digging it. If you overlooked Toto like I had, or only know them from “Rosanna” or “Africa,” give Hydra a shot.

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